Creative agency J. Walter Thompson Amsterdam is working with Young Designers United, a fashion collective from Amsterdam, and a group of Amsterdamâs top creative entities, to make a sartorial stance against global polarisation with âThe United Collectionâ. A small but meaningful showcase of garments exploring what happens when the flags of conflicting nations are deconstructed and then reconstructed into fashion statements.
âThe United Collectionâ is launched April 17 with an event, a website, an online video and an outdoor campaign â and the garments themselves will be publicly exhibited in Amsterdam.
With well over 50 armed and violent conflicts taking place across the globe â and only a handful of countries living in relative peace – the world is as divided now as it was ever. Brexit and the imminent breakup of Europe as we know it, combined with a new Cold War and continued conflicts in Syria, Africa and the Middle East, presents a confusing and fragmented world order.
This international climate of instability and political unrest provoked an exploration of creativityâs role within this context, which sparked the initial thinking behind âThe United Collectionâ.
âThe United Collectionâ focuses on three very different conflicts:Â BrexitÂ is observed through the eyes of Dutch designer Anne Oomen; Romanian artist Andrea Endresz looks at the volatile relationship between theÂ Ukraine and Russia; and finally Irene Heldens, also a Dutch national, interprets one of Africaâs many wars, the conflict betweenÂ Eritrea and Djibouti. All designers are a part of Amsterdam fashion collective Young Designers United.
Each designer chose a topic for their dress based on their own affinity with the subject. Therefore, the final garments are not only literally created from the flags of the opposing nations, but also metaphorically infused with the history of these conflicts. The materials were used for their symbolic significance, such as; gold thread to unite Eritrea and Djibouti; a red satin corset; rope to represent the suppression of the UKâs younger generation in the wake of Brexit; and hints of folk-designs shared between Russian and Ukrainian history.
âThe United Collectionâ is a creative statement against the rising tensions seen, heard and read about on a daily basis. The initiative invites the viewer to observe and re-evaluate their response to (political) conflict by using fashion to spark a meaningful dialogue.
Can a dress resolve political issues? No, probably not. But this kind of thinking just might.
The collection was unveiled in a building that is no stranger to controversy and conflict: art gallery Castrum Peregrini, a former safe house where artists went into hiding during the German occupation of Amsterdam in World War II. The choice of this location Â – whose name means âthe fortress of the pilgrimâ – pays homage to the idea of using creativity to respond to political and social problems including conflicts.Â A message as relevant in 2018 as it was during WWII.
âThe United Collectionâ is not for sale â but rather its aim is to use fashion to carry a message of intent. Itâs a call to arms to young creatives to observe and interpret the world and its politics in a slightly different way. And to remember that creativity has a unique role in an era where protest is â and should be â a driving force within culture.
‘The United Collection’ will be exhibited to the public first in Amsterdam, then in London for details check the website.
Bas Korsten, creative partner at J. Walter Thompson Amsterdam said: âEvery once in a while a project comes along that has its own life. Its own dynamic. Maybe because the idea behind The United Collection is so topical, people and companies wanted to contribute without thinking twice. The power of creativity and doing something positive truly brings out the best in people.â
Angelika Groenendijk, founder, YDU commented: âOur aim with this project is to visualize what UNITED can mean. Fashion is a strong medium for expression and for making big statements. We were able to take the idea of UNITED to a higher level and give it deeper meaning by working with a large team of visionary creatives across many different fields. We want to make people think about how conflicts could be resolved if people look at problems in a different way â and inspire people to unite behind solutions.â
“Collaborating with some of Amsterdamâs best brands and agencies is a real thrill for us at Smoke & Mirrors, especially as weâve been open just over a year in this creatively competitive market. From my initial conversations with JWT’s Creative Partner Bas Korsten, I knew this was going to be something special – and our talented team leapt at the opportunity. Amsterdam artists worked closely with Bas and his team, and partnered with Smoke & Mirrors in New York to realise the vision of the macro shots. Weâre really proud of the end result,â added David Michaels, Executive Producer, Smoke & Mirrors.
Source:Â J. Walter Thompson Amsterdam